The Bene Gesserit's Guide to Dune
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Dune
by John Harrison...

Director John Harrison claims that his film adaptation of Frank Herbert's novel was a "faithful interpretation," in which any changes he made served to suggest what Herbert had explained subtly or not at all. The miniseries introduces elements not found in Herbert's novel, but as Harrison claims, it is usually to elaborate rather than to edit. Harrison's television adaptation and David Lynch's 1984 film adaptation both depart from the content of the novel, but Harrison's treatment of Herbert's thematic and philosophical content is usually compared favorably to the 1984 film. The miniseries preserved many elements of the 1984 film's visual feel in its costume, set and creature design.  Alec Newman portrays Paul Atreides as emotionally immature at the start of the film, whereas in Herbert's novel, Paul is mature beyond his years throughout the narrative. In the book, Paul was 15-18 years old, but Harrison aged the character to 18-22 in order to increase the quality of the acting for this crucial role.  The miniseries invented an extensive subplot for Princess Irulan, a character who played little part in the plot of the first novel. Harrison felt the need to expand Irulan's role because she played such an important part in later books, and epigraphs from her later writings opened each chapter of Dune. Additionally, the character gave him a window into House Corrino. Besides the final scene, the only one of Irulan's appearances based on an actual excerpt from the novel is her visit to Feyd-Rautha. However, in the book it is a different Bene Gesserit, Margot Fenring, who visits the Harkonnen heir, on assignment from the Bene Gesserit to "preserve the bloodline" by retrieving his genetic material (through conception) for their breeding program. The miniseries does not suggest this as Irulan's motive.  The miniseries implemented several stylistic changes. For example, Herbert's ornithopters were described birdlike, but the miniseries' used ornithopters more closely resembled insects. The look of the spice-addicted characters' eyes was changed from Herbert's "blue within blue" to a internally luminous appearance.

Bene Gesserit trained as Truthsayers are able to detect whether someone is lying by detecting inflection and change in a subject's voice, observing and interpreting their body language and analyzing physical signs like pulse and heart rate. Such perception of someone else's veracity is an ability that all humans have, in principle, but that requires extensive training to develop to the point of usefulness.  The training of the Bene Gesserit is very useful for developing this ability, but is not the only way. It is not a skill: It is the development of a latent talent. One character describes the talent as "whenever I hear someone tell a lie, I want to turn my back on them."  Truthsayers are used widely in politics and trade; the Padishah Emperors are never without one. Combined with Voice, Truthsaying is also useful for interrogation and torture. Truthsayers have been known to be wrong or deceived, most often because they are facing another Bene Gesserit who has of course been trained to disguise the very signs the Truthsayer is analyzing.

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